{"id":537,"date":"2024-04-22T09:26:30","date_gmt":"2024-04-22T07:26:30","guid":{"rendered":"https:\/\/pages.pedf.cuni.cz\/hudebnivychova\/?page_id=537"},"modified":"2025-03-15T19:00:27","modified_gmt":"2025-03-15T18:00:27","slug":"rocnik-31-2023","status":"publish","type":"page","link":"https:\/\/pages.pedf.cuni.cz\/hudebnivychova\/archiv-cisel\/rocnik-31-2023\/","title":{"rendered":"ro\u010dn\u00edk 31 \u2013 2023"},"content":{"rendered":"\n<p><strong>HV 1\/2023<\/strong><\/p>\n\n\n\n<p><strong>P\u016eVODN\u00cd V\u011aDECK\u00c9 STAT\u011a A V\u00ddZKUMN\u00c9 ZPR\u00c1VY<\/strong><br>Stanislav Pech\u00e1\u010dek: <em>Miroslav Raichl: \u00dapravy lidov\u00fdch p\u00edsn\u00ed pro d\u011btsk\u00e9 sbory<\/em><br>V\u00edt N\u00e1m\u011bstek: <em>Pater Karel B\u0159\u00edza \u2013 \u0159eholn\u00ed kn\u011bz, skladatel duchovn\u00ed hudby, varhan\u00edk, varhan\u00e1\u0159 a pedagog<\/em><\/p>\n\n\n\n<p><strong>P\u016eVODN\u00cd DIDAKTICK\u00c9 STUDIE<\/strong><br>Roman Czepa: <em>Tvorba klav\u00edrn\u00edch etud s vyu\u017eit\u00edm nonartifici\u00e1ln\u00ed a(nebo) filmov\u00e9 hudby<\/em><br>Zuzana Sel\u010danov\u00e1: <em>Online n\u00e1stroje pro hudebn\u00ed gramotnost<\/em><\/p>\n\n\n\n<p><strong>P\u0158EHLEDOV\u00c9 \u010cL\u00c1NKY A STUDIE<\/strong><br>Jaroslav Bl\u00e1ha: <em>N\u011bkolik pozn\u00e1mek k cyklu Hudba a obraz, ro\u010dn\u00edk 2023<\/em><br>Jaroslav Bl\u00e1ha: <em>Od alegorie generace N\u00e1rodn\u00edho divadla k subjektivn\u00edmu symbolu generace devades\u00e1t\u00fdch let Josef Suk \u2013 Jan Preisler \u2013 Antonin Sova<\/em><br>Milu\u0161e Obe\u0161lov\u00e1: <em>Profesor David Martin Howard a jeho v\u00fdzkum lidsk\u00e9ho hlasu<\/em><\/p>\n\n\n\n<p><strong>NOTOV\u00c1 P\u0158\u00cdLOHA<\/strong><br>Bert Appermont: <em>Music in me \u2013 p\u0159\u00edloha k \u010dl\u00e1nku Ji\u0159iny Ji\u0159i\u010dkov\u00e9 a Marka Sedl\u00e1\u010dka<\/em><\/p>\n\n\n\n<p><strong>METODICK\u00c9 N\u00c1M\u011aTY A INSPIRACE<\/strong><br>Ji\u0159ina Ji\u0159i\u010dkov\u00e1, Marek Sedl\u00e1\u010dek: <em>K didaktick\u00e9mu potenci\u00e1lu p\u00edsn\u011b v kontextu Evropsk\u00e9ho dne hudby ve \u0161kol\u00e1ch<\/em><\/p>\n\n\n\n<p><strong>JUBILEA, ZPR\u00c1VY, RECENZE, ST\u00c1L\u00c9 RUBRIKY<\/strong><br>Eva Langsteinov\u00e1: <em>Ohliadnutie za profesorkou Evou Michalovou (1939\u20132022)<\/em><br>Marek Val\u00e1\u0161ek: <em>Konference didaktiky hudebn\u00ed v\u00fdchovy s mezin\u00e1rodn\u00ed \u00fa\u010dast\u00ed<\/em><br>Luk\u00e1\u0161 Filippi: <em>Ohl\u00e9dnut\u00ed za mezin\u00e1rodn\u00ed konferenc\u00ed \u201eComplex Impact of Music on Pedagogical Processes\u201c po\u0159\u00e1danou \u010ceskou hudebn\u00ed radou<\/em><br>Hana Stadlerov\u00e1, Daniela Taylor: <em>Recenze na HUDEBN\u00cd\u010cEK Petra Nikla a Miroslava \u010cern\u00e9ho<\/em><br>Stanislav Pech\u00e1\u010dek: <em>Anton\u00edn Dvo\u0159\u00e1k \u2013 Rusalka<\/em> (1st part) \u2013 z cyklu <em>O hudb\u011b anglicky<\/em><br>V\u00edt Gregor: K\u0161eft \u2013 z cyklu <em>O hudb\u011b s \u00fasm\u011bvem<\/em><br>Petra B\u011blohl\u00e1vkov\u00e1: <em>Z hudebn\u00edch v\u00fdro\u010d\u00ed (duben\u2013\u010derven 2023)<\/em><\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\" \/>\n\n\n\n<p><strong>HV 2\/2023<\/strong><\/p>\n\n\n\n<p><strong>P\u016eVODN\u00cd V\u011aDECK\u00c9 STAT\u011a A V\u00ddZKUMN\u00c9 ZPR\u00c1VY<br><\/strong>Eva Novotn\u00e1, Ivana A\u0161enbrenerov\u00e1:<em>Podoba hudebn\u00ed v\u00fdchovy a profesn\u00ed p\u0159\u00edpravy jej\u00edch budouc\u00edch pedagog\u016f v Izraeli jako mo\u017en\u00fd zdroj inspirace pro \u010desk\u00e9 prost\u0159ed\u00ed<\/em><\/p>\n\n\n\n<p><strong>P\u016eVODN\u00cd DIDAKTICK\u00c9 STUDIE<br><\/strong>Ji\u0159ina Ji\u0159i\u010dkov\u00e1:<em> Didaktika hudebn\u00ed v\u00fdchovy v<\/em> <em>kontextu rozvoje profesn\u00edch kompetenc\u00ed u\u010ditele<br><\/em>Leona St\u0159\u00edtesk\u00e1: <em>Duchovn\u00ed hudba ve \u0161kole<\/em><\/p>\n\n\n\n<p><strong>P\u0158EHLEDOV\u00c9 \u010cL\u00c1NKY A STUDIE<br><\/strong>Dana Sou\u0161kov\u00e1: <em>Jitka Sn\u00ed\u017ekov\u00e1 a jej\u00ed tvorba pro d\u011bti a ml\u00e1de\u017e \u2013 1. \u010d\u00e1st<br><\/em>Jaroslav Bl\u00e1ha: <em>Zvnit\u0159n\u011bn\u00ed t\u00e9matu jako cesta k&nbsp;uvoln\u011bn\u00ed formy a obsahu v&nbsp;tvorb\u011b Josefa Suka, Jana Preislera a Anton\u00edna Sovy<\/em><\/p>\n\n\n\n<p><strong>NOTOV\u00c1 P\u0158\u00cdLOHA<br><\/strong>Eva Jen\u010dkov\u00e1: <em>V\u00fdb\u011br z publikace<\/em> <em>\u201eO stra\u0161idlech a \u010darov\u00e1n\u00ed s hudbou a pohybem\u201c<\/em><\/p>\n\n\n\n<p><strong>METODICK\u00c9 N\u00c1M\u011aTY A INSPIRACE<br><\/strong>Jarom\u00edr Ehrenberger:<strong> <\/strong><em>Hlasov\u00e1 ladi\u010dka a jej\u00ed vyu\u017eit\u00ed v&nbsp;t\u00f3nov\u00e9 prvouce<\/em><em><\/em><\/p>\n\n\n\n<p><strong>JUBILEA, ZPR\u00c1VY, RECENZE, ST\u00c1L\u00c9 RUBRIKY<br><\/strong>Libu\u0161e Tich\u00e1: <em>Podpora mimo\u0159\u00e1dn\u011b nadan\u00fdch \u017e\u00e1k\u016f v um\u011bleck\u00e9m vzd\u011bl\u00e1v\u00e1n\u00ed \u2013 Akademie MenART<br><\/em>Jakub \u0160elmeczi: <em>Mezin\u00e1rodn\u00ed dny v\u00a0Mozarteu<br><\/em>Marie Slav\u00edkov\u00e1: <em>Hrav\u00e1 hudebn\u00ed v\u00fdchova pro radost \u017e\u00e1k\u016fm i u\u010ditel\u016fm<br><\/em>Veronika \u0160ev\u010d\u00edkov\u00e1:<em>Nad zuby darovan\u00e9ho kon\u011b aneb Nejen o nov\u00e9 knize o d\u011bjin\u00e1ch \u201eklasick\u00e9\u201c hudby<br><\/em>Stanislav Pech\u00e1\u010dek: <em>Anton\u00edn Dvo\u0159\u00e1k \u2013 Rusalka (2<sup>nd<\/sup> part)<\/em> \u2013 z cyklu O hudb\u011b anglicky<br>V\u00edt Gregor: <em>Zmizel\u00e1 hudba<\/em> \u2013 z cyklu O hudb\u011b s\u00a0\u00fasm\u011bvem<br>Petra B\u011blohl\u00e1vkov\u00e1: <em>Z\u00a0hudebn\u00edch v\u00fdro\u010d\u00ed (\u010dervenec\u2013z\u00e1\u0159\u00ed 2023)<\/em><\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\" \/>\n\n\n\n<p><strong>HV 3\/2023<\/strong><\/p>\n\n\n\n<p>Milena Kmentov\u00e1: <em>Editorial<br><\/em>Jan Prchal: <em>Ode\u0161el Ji\u0159\u00ed \u010cern\u00fd<\/em><\/p>\n\n\n\n<p><strong>P\u016eVODN\u00cd V\u011aDECK\u00c9 STAT\u011a A V\u00ddZKUMN\u00c9 ZPR\u00c1VY<\/strong><br>Ji\u0159\u00ed Bezd\u011bk: <em>Uplatn\u011bn\u00ed sluchov\u00e9 struktur\u00e1ln\u00ed anal\u00fdzy skladeb v hudebn\u00ed kritice<\/em><\/p>\n\n\n\n<p><strong>P\u016eVODN\u00cd DIDAKTICK\u00c9 STUDIE<a><\/a><br><\/strong>Hana Stadlerov\u00e1, Daniela Taylor: <em>Tvo\u0159iv\u00e9 pojet\u00ed mezioborov\u00fdch aktivit vzd\u011bl\u00e1vac\u00ed oblasti Um\u011bn\u00ed a kultura v&nbsp;profesn\u00ed p\u0159\u00edprav\u011b u\u010ditel\u016f prim\u00e1rn\u00edho vzd\u011bl\u00e1v\u00e1n\u00ed<br><\/em>V\u00edt Novotn\u00fd: <em>P\u0159\u00edb\u011bhy vypr\u00e1v\u011bn\u00e9 hudbou : Pr\u016fzkum inovativn\u00edho p\u0159\u00edstupu k poslechov\u00fdm \u010dinnostem v hudebn\u00ed <\/em><em>v\u00fdchov\u011b<\/em><\/p>\n\n\n\n<p><strong>P\u0158EHLEDOV\u00c9 \u010cL\u00c1NKY A STUDIE<br><\/strong>Dana Sou\u0161kov\u00e1: <em>Jitka Sn\u00ed\u017ekov\u00e1 a jej\u00ed tvorba pro d\u011bti a ml\u00e1de\u017e \u2013 2. \u010d\u00e1st<br><\/em>Jan Luk\u0161: <em>Bachov\u0161t\u00ed interpreti \u2013 klav\u00edrist\u00e9<br><\/em>Jaroslav Bl\u00e1ha: <em>Od zvnit\u0159n\u011bn\u00ed t\u00e9matu k&nbsp;expresivn\u00ed uvoln\u011bnosti a v\u00fdrazov\u00e9 <\/em><em>nal\u00e9havosti<\/em><\/p>\n\n\n\n<p><strong>NOTOV\u00c1 P\u0158\u00cdLOHA<br><\/strong>Stanislav Pech\u00e1\u010dek, Boris Nykl: <em>Uk\u00e1zka z&nbsp;publikace Klav\u00edrn\u00ed \u00fapravy popul\u00e1rn\u00edch p\u00edsn\u00ed<\/em><\/p>\n\n\n\n<p><strong>METODICK\u00c9 N\u00c1M\u011aTY A INSPIRACE<br><\/strong>Michal Hor\u00e1k: <em>U\u010divo vyjmenovan\u00fdch slov v&nbsp;p\u00edsn\u00edch a hudebn\u00edch aktivit\u00e1ch<\/em><\/p>\n\n\n\n<p><strong>JUBILEA, ZPR\u00c1VY, RECENZE, ST\u00c1L\u00c9 RUBRIKY<br><\/strong>Silvia Adamov\u00e1, Eva Ferkov\u00e1, Zuzana Flamov\u00e1, Katar\u00edna Ha\u0161kov\u00e1, Mark\u00e9ta \u0160tefkov\u00e1, Viliam Udi\u010d: <em>Spr\u00e1va z projektu \u201eO\u00a0hudbe chcem vedie\u0165 viac!\u201c<br><\/em>Krist\u00fdna \u0160r\u00e1mkov\u00e1, V\u00edt Novotn\u00fd, Jakub \u0160elmeczi: <em>30. ro\u010dn\u00edk konference European Association for Music in Schools v\u00a0Lyonu<br><\/em>Sl\u00e1vka Kop\u010d\u00e1kov\u00e1: <em>Miesto k\u013e\u00fa\u010dov\u00fdch textov hudobn\u00fdch tvorcov v\u00a0recepcii hudby a s\u00fa\u010dasnom myslen\u00ed o\u00a0hudbe<\/em><br>Zuzana Sel\u010danov\u00e1: Kdy\u017e se klav\u00edrn\u00edch aran\u017em\u00e1 popul\u00e1rn\u00edch p\u00edsn\u00ed ujmou studenti<em><br><\/em>Stanislav Pech\u00e1\u010dek: <em>The Conductor in History<\/em> \u2013 z cyklu O hudb\u011b anglicky<br>V\u00edt Gregor: <em>V hudb\u011b nejde o \u017eivot, v hudb\u011b jde o v\u00edc<\/em> \u2013 z cyklu O hudb\u011b s\u00a0\u00fasm\u011bvem<br>Petra B\u011blohl\u00e1vkov\u00e1: Z hudebn\u00edch v\u00fdro\u010d\u00ed (\u0159\u00edjen \u2013 prosinec 2023)<\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\" \/>\n\n\n\n<p><strong>HV 4\/2023<\/strong><\/p>\n\n\n\n<p><strong>P\u016eVODN\u00cd V\u011aDECK\u00c9 STAT\u011a A V\u00ddZKUMN\u00c9 ZPR\u00c1VY<br><\/strong>Ji\u0159\u00ed Kus\u00e1k, Jan Mazurek: <em>\u010cesk\u00e1 hudebn\u00ed v\u00fdchova 1890\u20131918<br><\/em>Jan Chumchal:<em>150. jubileum Jana Nepomuka Pol\u00e1\u0161ka a mal\u00e9 ohl\u00e9dnut\u00ed za jeho pedagogickou \u010dinnost\u00ed<\/em><\/p>\n\n\n\n<p><strong>P\u016eVODN\u00cd DIDAKTICK\u00c9 STUDIE<br><\/strong>Marie Stod\u016flkov\u00e1: <em>Sonda do sou\u010dasn\u00e9ho pov\u011bdom\u00ed o lidov\u00e9 p\u00edsni u anglick\u00fdch <\/em><em>d\u011bt\u00ed<\/em><\/p>\n\n\n\n<p><strong>P\u0158EHLEDOV\u00c9 \u010cL\u00c1NKY A STUDIE<br><\/strong>Milu\u0161e Obe\u0161lov\u00e1: <em>Profesor Ingo R. Titze <\/em><em>a jeho p\u0159\u00ednos sv\u011btov\u00e9 vokologii<br><\/em>Jaroslav Bl\u00e1ha: <em>Poh\u00e1dka jako kultovn\u00ed t\u00e9ma secesn\u00edho symbolismu<\/em><\/p>\n\n\n\n<p><strong>NOTOV\u00c1 P\u0158\u00cdLOHA<br><\/strong>Milena<strong> <\/strong>Rakov\u00e1, Ji\u0159\u00ed \u017d\u00e1\u010dek: <em>\u010cty\u0159i p\u00edsn\u011b pro d\u011bti<\/em><\/p>\n\n\n\n<p><strong>METODICK\u00c9 N\u00c1M\u011aTY A INSPIRACE<br><\/strong>V\u00edt Novotn\u00fd: <em>Jan Palach v hudb\u011b: Most do sv\u011bta soudob\u00e9 v\u00e1\u017en\u00e9 <\/em><em>hudby<\/em><\/p>\n\n\n\n<p><strong>JUBILEA, ZPR\u00c1VY, RECENZE, ST\u00c1L\u00c9 RUBRIKY<br><\/strong>Ji\u0159ina Ji\u0159i\u010dkov\u00e1: <em>Projekt kreativn\u00edch workshop\u016f pro studenty a pedagogy HV<\/em><br>Oran Etkin, Jakub \u0160\u00edbl: <em>O TIMBALOOLOO: Podpora hudebn\u00ed v\u00fdchovy d\u011bt\u00ed v\u00a0M\u0160 a na prvn\u00edm stupni Z\u0160<\/em><br>Stanislav Pech\u00e1\u010dek: <em>Metodika rozvoje d\u011btsk\u00e9 hudebn\u00ed tvo\u0159ivosti jako sou\u010d\u00e1st p\u0159\u00edpravy budouc\u00edho u\u010ditele hudebn\u00ed v\u00fdchovy<\/em><br>Tatiana \u0160kapcov\u00e1: <em>Trendy v hudobnej pedagogike v s\u00fa\u010dasn\u00fdch perspekt\u00edvach \u2013 od aplika\u010dn\u00fdch v\u00fdchod\u00edsk k mo\u017enostiam technologick\u00e9ho transferu<\/em><br>Stanislav Pech\u00e1\u010dek: <em>Speaking and singing voice<\/em> \u2013 z cyklu <em>O hudb\u011b anglicky<\/em><br>V\u00edt Gregor: <em>Hudba a \u0159\u00ed\u0161e \u017eivo\u010di\u0161n\u00e1<\/em> \u2013 z cyklu <em>O hudb\u011b s\u00a0\u00fasm\u011bvem<\/em><br>Petra B\u011blohl\u00e1vkov\u00e1: <em>Z\u00a0hudebn\u00edch v\u00fdro\u010d\u00ed (leden\u2013b\u0159ezen 2024)<\/em><\/p>\n\n\n\n<p><\/p>\n","protected":false},"excerpt":{"rendered":"<p>HV 1\/2023 P\u016eVODN\u00cd V\u011aDECK\u00c9 STAT\u011a A V\u00ddZKUMN\u00c9 ZPR\u00c1VYStanislav Pech\u00e1\u010dek: Miroslav Raichl: \u00dapravy lidov\u00fdch p\u00edsn\u00ed pro d\u011btsk\u00e9 sboryV\u00edt N\u00e1m\u011bstek: Pater Karel B\u0159\u00edza \u2013 \u0159eholn\u00ed kn\u011bz, skladatel duchovn\u00ed hudby, varhan\u00edk, varhan\u00e1\u0159 a pedagog P\u016eVODN\u00cd DIDAKTICK\u00c9 STUDIERoman Czepa: Tvorba klav\u00edrn\u00edch etud s vyu\u017eit\u00edm nonartifici\u00e1ln\u00ed a(nebo) filmov\u00e9 hudbyZuzana Sel\u010danov\u00e1: Online n\u00e1stroje pro hudebn\u00ed gramotnost P\u0158EHLEDOV\u00c9 \u010cL\u00c1NKY A STUDIEJaroslav Bl\u00e1ha: [&hellip;]<\/p>\n","protected":false},"author":422,"featured_media":0,"parent":46,"menu_order":1,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-537","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/pages.pedf.cuni.cz\/hudebnivychova\/wp-json\/wp\/v2\/pages\/537","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/pages.pedf.cuni.cz\/hudebnivychova\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/pages.pedf.cuni.cz\/hudebnivychova\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/pages.pedf.cuni.cz\/hudebnivychova\/wp-json\/wp\/v2\/users\/422"}],"replies":[{"embeddable":true,"href":"https:\/\/pages.pedf.cuni.cz\/hudebnivychova\/wp-json\/wp\/v2\/comments?post=537"}],"version-history":[{"count":4,"href":"https:\/\/pages.pedf.cuni.cz\/hudebnivychova\/wp-json\/wp\/v2\/pages\/537\/revisions"}],"predecessor-version":[{"id":545,"href":"https:\/\/pages.pedf.cuni.cz\/hudebnivychova\/wp-json\/wp\/v2\/pages\/537\/revisions\/545"}],"up":[{"embeddable":true,"href":"https:\/\/pages.pedf.cuni.cz\/hudebnivychova\/wp-json\/wp\/v2\/pages\/46"}],"wp:attachment":[{"href":"https:\/\/pages.pedf.cuni.cz\/hudebnivychova\/wp-json\/wp\/v2\/media?parent=537"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}