{"id":576,"date":"2025-03-15T17:35:36","date_gmt":"2025-03-15T16:35:36","guid":{"rendered":"https:\/\/pages.pedf.cuni.cz\/hudebnivychova\/?page_id=576"},"modified":"2025-03-15T17:47:57","modified_gmt":"2025-03-15T16:47:57","slug":"rocnik-32-2024","status":"publish","type":"page","link":"https:\/\/pages.pedf.cuni.cz\/hudebnivychova\/archiv-cisel\/rocnik-32-2024\/","title":{"rendered":"ro\u010dn\u00edk 32 – 2024"},"content":{"rendered":"\n

<\/p>\n\n\n\n

HV 1\/2024<\/strong><\/p>\n\n\n\n

Milena Kmentov\u00e1: Editorial<\/em>
Pavel Jur\u00e1k: V\u011b\u010dn\u011b usm\u011bvav\u00e1<\/em><\/p>\n\n\n\n

P\u016eVODN\u00cd V\u011aDECK\u00c9 STAT\u011a A V\u00ddZKUMN\u00c9 ZPR\u00c1VY
<\/strong>Stanislav Pech\u00e1\u010dek: \u017divot a d\u011btsk\u00e9 sbory Zde\u0148ka Luk\u00e1\u0161e<\/em><\/p>\n\n\n\n

P\u0158EHLEDOV\u00c9 \u010cL\u00c1NKY A STUDIE
<\/strong>Jaroslav Bl\u00e1ha: N\u011bkolik pozn\u00e1mek k cyklu Hudba a obraz, ro\u010dn\u00edk 2024
<\/em>Jaroslav Bl\u00e1ha: Na rozhran\u00ed v\u011bk\u016f III \u2013 exprese jako subjektivn\u00ed pro\u017eitek sv\u011bta : Vincent van Gogh a Richard Strauss<\/em><\/p>\n\n\n\n

NOTOV\u00c1 P\u0158\u00cdLOHA
<\/strong>Uk\u00e1zka z publikace M\u016fj klav\u00edr<\/em> Evy Lorenc \u2013 p\u0159\u00edloha k \u010dl\u00e1nku Libu\u0161e Tich\u00e9<\/p>\n\n\n\n

METODICK\u00c9 N\u00c1M\u011aTY A INSPIRACE
<\/strong>Kate\u0159ina Hurn\u00edkov\u00e1: Tane\u010dn\u00ed rytmy v lidov\u00fdch p\u00edsn\u00edch a jejich uplatn\u011bn\u00ed v aktivit\u00e1ch p\u0159ipravuj\u00edc\u00edch na poslech hudby na 1. stupni Z\u0160<\/em>
Jarom\u00edr Ehrenberger: P\u0159\u00edprava d\u011bt\u00ed ke zp\u011bvu z hlediska poznatk\u016f hudebn\u00ed psychologie<\/em><\/p>\n\n\n\n

JUBILEA, ZPR\u00c1VY, RECENZE, ST\u00c1L\u00c9 RUBRIKY

<\/strong>Libu\u0161e Tich\u00e1: P\u0159edstavujeme zbrusu novou klav\u00edrn\u00ed \u0161kolu<\/em>
Romana Feiferl\u00edkov\u00e1: Nov\u00e1 publikace k d\u011bjin\u00e1m hudebn\u00edho vzd\u011bl\u00e1v\u00e1n\u00ed<\/em>
Stanislav Pech\u00e1\u010dek: Luciano Pavarotti (1935\u20132007)<\/em> \u2013 z cyklu O hudb\u011b anglicky
V\u00edt Gregor: Hudebn\u00edk a automobil<\/em> \u2013 z cyklu O hudb\u011b s \u00fasm\u011bvem
Petra B\u011blohl\u00e1vkov\u00e1: Z hudebn\u00edch v\u00fdro\u010d\u00ed (duben\u2013\u010derven 2024)<\/em><\/p>\n\n\n\n

\n\n\n\n

HV 2\/2024<\/strong><\/p>\n\n\n\n

Milena Kmentov\u00e1: Editorial<\/em><\/p>\n\n\n\n

P\u016eVODN\u00cd V\u011aDECK\u00c9 STAT\u011a A V\u00ddZKUMN\u00c9 ZPR\u00c1VY<\/strong>
Kate\u0159ina Halbychov\u00e1: Motivace \u017e\u00e1ka 2. stupn\u011b houslov\u00e9 hry na ZU\u0160 k ve\u0159ejn\u00e9mu vystupov\u00e1n\u00ed<\/em><\/p>\n\n\n\n

P\u016eVODN\u00cd DIDAKTICK\u00c9 STUDIE<\/strong>
Ji\u0159ina Ji\u0159i\u010dkov\u00e1: Schulwerk Carl Orffa aneb Hudebn\u011b pedagogick\u00e9 sv\u011bdectv\u00ed zachycen\u00e9 \u010ceskoslovenskou televiz\u00ed<\/em><\/p>\n\n\n\n

P\u0158EHLEDOV\u00c9 \u010cL\u00c1NKY A STUDIE<\/strong>
Vladim\u00edr Novotn\u00fd: Symbi\u00f3za techniky a hudebn\u00ed v\u00fdchovy: P\u0159\u00edb\u011bh propojov\u00e1n\u00ed dvou sv\u011bt\u016f<\/em>
Martina \u0160vandrl\u00edkov\u00e1: Tr\u00e9ma a p\u0159\u00edstup ke stresov\u00e9 reakci podle Josepha LeDouxe<\/em>
Mariana Kolo\u0161tov\u00e1: Hodnotov\u00e9 aspekty v profil\u00e1cii tvorivej \u010dinnosti Evy Langsteinovej<\/em>
Jaroslav Bl\u00e1ha: Na rozhran\u00ed v\u011bk\u016f III \u2014 exprese jako subjektivn\u00ed pro\u017eitek sv\u011bta, 2. Edvard Munch a Arnold Sch\u00f6nberg<\/em><\/p>\n\n\n\n

NOTOV\u00c1 P\u0158\u00cdLOHA<\/strong>
Sou\u010d\u00e1st p\u0159\u00edsp\u011bvku A. Brdi\u010dkov\u00e9 a M. Kmentov\u00e9<\/p>\n\n\n\n

METODICK\u00c9 N\u00c1M\u011aTY A INSPIRACE<\/strong>
Anna Brdi\u010dkov\u00e1, Milena Kmentov\u00e1: Vyu\u017eit\u00ed p\u00edsn\u00ed v u\u010den\u00ed d\u011bt\u00ed s ment\u00e1ln\u00edm posti\u017een\u00edm<\/em><\/p>\n\n\n\n

JUBILEA, ZPR\u00c1VY, RECENZE, ST\u00c1L\u00c9 RUBRIKY<\/strong>
Jana Palkovsk\u00e1: Sympozium u p\u0159\u00edle\u017eitosti 33. v\u00fdro\u010d\u00ed zalo\u017een\u00ed studijn\u00edho oboru Hra na n\u00e1stroj<\/em>
Patricie Windsor: Skl\u00e1d\u00e1me hudebn\u00ed mozaiku<\/em>
Marek Val\u00e1\u0161ek: Recenze knihy Viktora Bezd\u00ed\u010dka Hled\u00e1n\u00ed sv\u011btla, portr\u00e9t skladatele Zde\u0148ka \u0160est\u00e1ka<\/em>
Stanislav Pech\u00e1\u010dek: Joan Sutherland (1926\u20142010)<\/em> \u2014 z cyklu O hudb\u011b anglicky<\/em>
V\u00edt Gregor: Um\u011bn\u00ed tv\u016fr\u010d\u00ed i netv\u016fr\u010d\u00ed<\/em> \u2014 z cyklu O hudb\u011b s \u00fasm\u011bvem<\/em>
Petra B\u011blohl\u00e1vkov\u00e1: Z hudebn\u00edch v\u00fdro\u010d\u00ed (\u010dervenec\u2014z\u00e1\u0159\u00ed 2024)<\/em>
Milo\u0161 Kodej\u0161ka: Rozlou\u010dili jsme se s Ladislavem Burlasem<\/em><\/p>\n\n\n\n

\n\n\n\n

HV 3\/2024<\/strong><\/p>\n\n\n\n

Milena Kmentov\u00e1: Editorial<\/em><\/p>\n\n\n\n

P\u016eVODN\u00cd V\u011aDECK\u00c9 STAT\u011a A V\u00ddZKUMN\u00c9 ZPR\u00c1VY<\/strong>
Alois Dan\u011bk: Odkaz Ferdinanda Krcha pro modern\u00ed hudebn\u00ed v\u00fdchovu – P\u0159ipom\u00ednka stolet\u00e9ho v\u00fdro\u010d\u00ed Domu d\u011btstv\u00ed<\/em>
Kate\u0159ina Halbychov\u00e1: Motivace k ve\u0159ejn\u00e9mu vystupov\u00e1n\u00ed \u017e\u00e1kyn\u011b 2. stupn\u011b hry na housle na ZU\u0160<\/em><\/p>\n\n\n\n

P\u0158EHLEDOV\u00c9 \u010cL\u00c1NKY A STUDIE<\/strong>
Milu\u0161e Obe\u0161lov\u00e1: Inspirace pro hlasov\u00e9 a p\u011bveck\u00e9 pedagogy v zahrani\u010dn\u00edch \u010dasopisech<\/em>
Jaroslav Bl\u00e1ha: Exprese jako subjektivn\u00ed pro\u017eitek sv\u011bta<\/em>, 3. Emil Nolde a Sergej Prokofjev<\/p>\n\n\n\n

NOTOV\u00c1 P\u0158\u00cdLOHA<\/strong>
Michal Hor\u00e1k: Zp\u011bvn\u00edk Michala Hor\u00e1ka a jeho u\u017eit\u00ed ve v\u00fduce<\/em> + notov\u00e1 p\u0159\u00edloha Pl\u00e1ny jdou, Je to tak<\/p>\n\n\n\n

METODICK\u00c9 N\u00c1M\u011aTY A INSPIRACE<\/strong>
M\u00e1ria Stren\u00e1\u010dikov\u00e1: Inovat\u00edvne prvky vo vyu\u010dovan\u00ed hudby: Energizery I<\/em><\/p>\n\n\n\n

JUBILEA, ZPR\u00c1VY, RECENZE, ST\u00c1L\u00c9 RUBRIKY<\/strong>
Lenka P\u0159ibylov\u00e1: Lubo\u0161 H\u00e1na \u2014 \u017eivotn\u00ed jubileum pedagoga a sbormistra a sou\u010dasn\u011b v\u00fdro\u010d\u00ed \u010dinnosti jeho dvou p\u011bveck\u00fdch sbor\u016f<\/em>
Krist\u00fdna Karvai: Hudebn\u00ed olympi\u00e1da \u010cR: P\u0159ehl\u00eddka osobitosti mlad\u00fdch hudebn\u00edk\u016f<\/em>
Eli\u0161ka Mistrov\u00e1: Z\u00e1\u017eitky z hudebn\u00ed olympi\u00e1dy na Kypru<\/em>
Ji\u0159\u00ed Pol\u00edvka: \u010cesk\u00e1 republika a Lusofonn\u00ed zem\u011b \u2014 vzd\u011bl\u00e1v\u00e1n\u00ed, um\u011bn\u00ed a digit\u00e1ln\u00ed technologie ve v\u00fduce<\/em>
Marie Slav\u00edkov\u00e1: Kapitoly z kreativn\u00ed hudebn\u00ed v\u00fdchovy \u2014 inspirativn\u00ed kniha pro studenty i u\u010ditele<\/em>
Veronika R\u016f\u017ei\u010dkov\u00e1: Nov\u00e1 publikace o distan\u010dn\u00edm vzd\u011bl\u00e1v\u00e1n\u00ed v hudebn\u00edm um\u011bn\u00ed<\/em>
Stanislav Pech\u00e1\u010dek: The Star Called Jarmila Novotn\u00e1 \u2014 z cyklu O hudb\u011b anglicky<\/em>
V\u00edt Gregor: Roztr\u017eitost \u2014 z cyklu O hudb\u011b s \u00fasm\u011bvem<\/em>
Petra B\u011blohl\u00e1vkov\u00e1: Z hudebn\u00edch v\u00fdro\u010d\u00ed (\u0159\u00edjen\u2014prosinec 2024)<\/em><\/p>\n\n\n\n

\n\n\n\n

HV 4\/2024<\/strong><\/p>\n\n\n\n

Milena Kmentov\u00e1: Editorial<\/em><\/p>\n\n\n\n

P\u016eVODN\u00cd V\u011aDECK\u00c9 STAT\u011a A V\u00ddZKUMN\u00c9 ZPR\u00c1VY<\/strong>
Stanislav Pech\u00e1\u010dek: D\u011btsk\u00e1 sborov\u00e1 tvorba Jana Bern\u00e1tka<\/em><\/p>\n\n\n\n

P\u0158EHLEDOV\u00c9 \u010cL\u00c1NKY A STUDIE<\/strong>
Jan Luk\u0161: Ot\u00e1zky stylovosti a historicky pou\u010den\u00e9 interpretace v tvorb\u011b J. S. Bacha pro kl\u00e1vesov\u00e9 n\u00e1stroj<\/em>eMariana Kolo\u0161tov\u00e1: Pedagogick\u00fd odkaz Tibora Sedlick\u00e9ho, majstra hudby a spevu
<\/em>Jaroslav Bl\u00e1ha: Exprese jako subjektivn\u00ed pro\u017eitek sv\u011bta IV \u2014 Maurice Vlaminck a B\u00e9la Bart\u00f3k<\/em><\/p>\n\n\n\n

NOTOV\u00c1 P\u0158\u00cdLOHA<\/strong>
Hana V\u00e1\u0148ov\u00e1, Bohum\u00edr Han\u017el\u00edk: Zp\u00edv\u00e1me lidov\u00e9 p\u00edsn\u011b cel\u00fd rok<\/em><\/p>\n\n\n\n

METODICK\u00c9 N\u00c1M\u011aTY A INSPIRACE<\/strong>
Silvia Adamov\u00e1: Boethiove musicy<\/em><\/p>\n\n\n\n

JUBILEA, ZPR\u00c1VY, RECENZE, ST\u00c1L\u00c9 RUBRIKY<\/strong>
Silvia Adamov\u00e1, Katar\u00edna Ha\u0161kov\u00e1: Spr\u00e1va z projektu \u201eO hudbe chcem vedie\u0165 viac! 2024″
<\/em>Krist\u00fdna \u0160r\u00e1mkov\u00e1, Eva Mat\u011bjovsk\u00e1: \u201eTraditions in transformation\u201c<\/em> konference European Association for Music in Schools v Dublinu<\/em>
Ji\u0159ina Ji\u0159i\u010dkov\u00e1, Kate\u0159ina Ka\u010dalov\u00e1: EuDaMuS \u2014 oslava hudby ve \u0161kol\u00e1ch<\/em>
Stanislav Pech\u00e1\u010dek: Recenze: Slovensko-anglick\u00fd a Anglicko-slovensk\u00fd hudebn\u00ed slovn\u00edk
<\/em>Stanislav Pech\u00e1\u010dek: History of Music \u2014 Early Twentieth-Century<\/em>. Italy <\/em>\u2014 z cyklu O hudb\u011b anglicky<\/em>
V\u00edt Gregor: Um\u011bn\u00ed a drogy<\/em> \u2014 z cyklu O hudb\u011b s \u00fasm\u011bvem<\/em><\/p>\n\n\n\n

<\/h3>\n\n\n\n

<\/p>\n","protected":false},"excerpt":{"rendered":"

HV 1\/2024 Milena Kmentov\u00e1: EditorialPavel Jur\u00e1k: V\u011b\u010dn\u011b usm\u011bvav\u00e1 P\u016eVODN\u00cd V\u011aDECK\u00c9 STAT\u011a A V\u00ddZKUMN\u00c9 ZPR\u00c1VYStanislav Pech\u00e1\u010dek: \u017divot a d\u011btsk\u00e9 sbory Zde\u0148ka Luk\u00e1\u0161e P\u0158EHLEDOV\u00c9 \u010cL\u00c1NKY A STUDIEJaroslav Bl\u00e1ha: N\u011bkolik pozn\u00e1mek k cyklu Hudba a obraz, ro\u010dn\u00edk 2024Jaroslav Bl\u00e1ha: Na rozhran\u00ed v\u011bk\u016f III \u2013 exprese jako subjektivn\u00ed pro\u017eitek sv\u011bta : Vincent van Gogh a Richard Strauss NOTOV\u00c1 P\u0158\u00cdLOHAUk\u00e1zka z publikace […]<\/p>\n","protected":false},"author":422,"featured_media":0,"parent":46,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-576","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/pages.pedf.cuni.cz\/hudebnivychova\/wp-json\/wp\/v2\/pages\/576","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/pages.pedf.cuni.cz\/hudebnivychova\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/pages.pedf.cuni.cz\/hudebnivychova\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/pages.pedf.cuni.cz\/hudebnivychova\/wp-json\/wp\/v2\/users\/422"}],"replies":[{"embeddable":true,"href":"https:\/\/pages.pedf.cuni.cz\/hudebnivychova\/wp-json\/wp\/v2\/comments?post=576"}],"version-history":[{"count":6,"href":"https:\/\/pages.pedf.cuni.cz\/hudebnivychova\/wp-json\/wp\/v2\/pages\/576\/revisions"}],"predecessor-version":[{"id":587,"href":"https:\/\/pages.pedf.cuni.cz\/hudebnivychova\/wp-json\/wp\/v2\/pages\/576\/revisions\/587"}],"up":[{"embeddable":true,"href":"https:\/\/pages.pedf.cuni.cz\/hudebnivychova\/wp-json\/wp\/v2\/pages\/46"}],"wp:attachment":[{"href":"https:\/\/pages.pedf.cuni.cz\/hudebnivychova\/wp-json\/wp\/v2\/media?parent=576"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}